documenta 14 – 34 Ασκήσεις Ελευθερίας, Αναλυτικό Πρόγραμμα, 14-24 Σεπτεμβρίου 2016

Πολ Πρεσιάδο: «H Μπέλλου έχει περισσότερο ενδιαφέρον από τον Άντι Γουόρχολ»

 

 

New Publication by The Funambulist & New South: Public Space: Fights and Fictions Architecture & Design

New Publication by The Funambulist & New South: Public Space: Fights and FictionsAugust 30, 2016

Architecture & Design – By: Léopold Lambert

 

INTRODUCTION BY THE FUNAMBULIST & NEW SOUTH ///

“Who do we exclude from our fictions?
Who do we include in our desires?”
— Tentative Collective

Architects appear increasingly to be getting interested in the politics of public space. The 36-hour Factory of Thought event at the Akademie der Kunste in Berlin is therefore inscribed in a larger movement towards social awareness as a key value in architecture practice. Regardless of its successes or failures, the 15th edition of the Venice Biennale Reporting from the Front, curated by Alejandro Arevena, provides the latest solid evidence of this move. Although such a shift both in the practices and questions encountered by architects can only be a positive shift, what is too often missing from the conversation is the crucial need to question the very nature of public space itself: not only the way it is made and used, but the broader societal vision that it represents and reinforces. A useful starting point, then, is to examine what we mean when we say ‘public’, before we move on to ‘space’, the material that as architects, urban planners and spatial practitioners, we may dissect more comfortably.

WALKING WOMEN

Date: 11 July 2016 to 17 July 2016

Venue: Screening Room and Utopia Treasury, South Wing, Somerset House, London

A programme of events that places women at the centre of discussions and debates about walking and art. Part of UTOPIA 2016: A Year of Imagination and Possibility – Four Seasons of events, exhibitions and new commissions celebrating the idea of utopia to mark the 500th anniversary of Thomas More’s influential text.
The invisibility of women in what appears as a canon of walking is conspicuous; where they are included, it is often as an ‘exception’ to an unstated norm, represented by a single chapter in a book or even a footnote.

– Heddon and Turner (2012) ‘Walking Women: Shifting the Tales and Scales of Mobility’ Contemporay Theatre Review, Vol. 22(2), 2012, p. 225
How do we re-write a canon? How do we re-balance the perception of art, artists, and the use of walking as a creative practice? Can we not only imagine a future in which gender bias and skewed vision is destroyed, but actively build the pathway there?

These events are a step on that path. Bringing together artists from across disciplines – theatre makers, writers, sculptors, film makers, poets, live artists and visual artists with academics, curators and cultural critics to discuss, present, create, record, broadcast and make public the work of WALKING WOMEN.

Performative archiving in Kosmos

Panos Kouros

Performative archiving in Kosmos. Preliminary remarks.

 

Lecture at the Kolloquium at Humboldt-University
Institut für Musikwissenschaft und Medienwissenschaft
Fachgebiet Medienwissenschaft

11.5.16

P1030309a

At the junction of performative urbanism and art in the public sphere,sonic arts and archival media studies, /Kosmos/ project relies on a methodof real-time archiving of public space that I have termed ‘performative archiving action’. Works areundertaken in Kosmos, Berlin and Neos Kosmos, Athens, in the different contexts of urban regeneration pressures in these neighborhoods. Archiving is conceived as performance creating conditions for emerging public sphere(s); linking acting persons, dispersed publics, different localities through specific actions of documenting/ classifying/ re-using/ re-contextualizing data, and made public as a continuum across web interfaces and interhuman dispositions. The performative aspect relates to both human performing tasks and the internal generative operations of the archive.

Public Space: Fights and Fictions

Public Space: Fights and Fictions | DEMO:POLIS - The Right to Public Space

Public Space: Fights and Fictions

36-hour Factory of Thought

19 May 2016, 7 pm (Prologue)
Noon 20 May – Midnight 21 May, 2016

Organised by the Goethe-Institut and the Akademie der Künste. An event held as part of DEMO:POLIS – The Right to Public Space.

Futureland, Cairo, 2009

Futureland, Cairo, 2009

Futureland, Tokyo, 2015

Futureland, Tokyo, 2015

Futureland, Mexico, 2009

Futureland, Mexico, 2009

Futureland, Dubai, 2009

Futureland, Dubai, 2009

Futureland, Shanghai, 2009

Futureland, Shanghai, 2009

The crisis of representative democracies, participation, and civil society burnout: How can we use public space for the perspective of an enlightenment in the 21st century? Public space is intrinsically linked to the parameters of each particular culture and society and its historical changes. With worldwide migration, social conflicts, and global economic and financial interests or the emancipation from authoritarian structures, public space has been facing massive challenges over the last decades. Across the globe, it has become the scene of violent changes and fundamental paradigm shifts. Between security and surveillance, participation and commercialisation, artistic and social freedom and the demonstration of power, public space is where the future of democracy and the quality of life is being decided.

Against this background, architect, theoretician and activist Eyal Weizman explores the anatomy of public space. South African curator Gabi Ngcobo describes the struggle for public space. Peter Cachola Schmal, Curator of the German Pavilion at this year’s International Architecture Exhibition in Venice, asks whether our arrival cities are the catalysts of social and cultural conflicts from mass migration in Europe. With international curators and artists, architect Eva Franch i Gilabert discusses how artists, designers, architects, curators and cultural institutions stage and construct real and symbolic forms of power and authority.

Under the pretext of public security, the ideas and concepts dealing with public space are increasingly informed by surveillance and control. The question of whether public space itself could then pose a threat is analysed by Anna Minton. Léopold Lambert focuses on public space as militarized environment in the aftermath of terrorist attacks. Kathrin Röggla considers the role of public space in post-democracy, while architect Doreen Heng Liu outlines the factors in any sustainable development of urban public space. Is public space a “third space” where strategies can be developed to counter an all-dominant and appropriating commercialisation? Are the struggles in public space only the harbingers of gentrification? – core questions addressed by architect Arno Brandlhuber in the closing panel.

This 36-hour Factory of Thought aims to develop a more concrete understanding of approaches to the complex expectations placed on public space. The Kooperative für Darstellungspolitik’s spatial design facilitates concentrated thought in parallel structures for kick-off speeches and think tanks, discussions, interviews and artistic interventions, and provides room for informal exchanges in open platforms.

The number of places in the “Denkräume” (Round Tables) is limited. Information about the registration here.

Διάλεξη: Campus Novel

Campus Novel

[Ινώ Βαρβαρίτη, Γιάννης Δελαγραμμάτικας, Φωτεινή Παλπάνα, Γιάννης Σινιόρογλου και Γιάννης Χειμωνάκης]

Counter-hierarchies

campus_novel_WP

 

Σειρά Διαλέξεων Τέχνη / Αρχιτεκτονική στη Δημόσια Σφαίρα

Τρίτη 15 Δεκεμβρίου στις 4:30 στο Σ5

Τμήμα Αρχιτεκτόνων Πανεπιστημίου Πατρών

 

Διάλεξη: Κωνσταντίνος Χατζηνικολάου

Κωνσταντίνος Χατζηνικολάου

Για τον Bruce

Super 8 | Slides | Τετράδια

presentationWeb2

 

Διαλέξεις Εργαστηρίου Τέχνης / Αρχιτεκτονικής στη Δημόσια Σφαίρα

Τρίτη 8 Δεκεμβρίου στις 4:00 στο Σ5

Τμήμα Αρχιτεκτόνων Πανεπιστημίου Πατρών

It’s time to rethink the entire role and language of architecture

Our challenge must be to go beyond architecture and speak the languages of these other disciplines, before translating our discussions into formal design proposals.


The Bakara market area of Somalia’s capital Mogadishu. Next year’s Venice Biennale seeks to document those ‘working in the margins, under tough circumstances, facing pressing challenges’. Photograph: Tony Karumba/AFP/Getty Images

 

 

GRACE OF INTENTION: PHOTOGRAPHY, ARCHITECTURE AND THE MONUMENT

Grace of Intention: Photography, Architecture and the Monument Oct 15 — Dec 23, 2015

MUSEUM OF CONTEMPORARY PHOTOGRAPHY, 600 S MICHIGAN AVE, CHICAGO, IL 60605

Opening Reception: Grace of Intention

Image credit: Jan Kempenaers, Spomenik #3 (Kosmaj), 2006

Monuments are deliberate gestures – objects or structures created to commemorate an event, person or era. Their meaning is usually imposed, and they often serve as vehicles for the communication of civic qualities like valor and duty, or to underscore a foundational political narrative. But their meaning can transform, changing over time as the relevance of their symbolism ebbs and flows due to social and political shifts. Like monuments, architecture and photography are also inflected with a grace of intention, and both have the ability to commemorate or represent a nation, event, time or place. Like monuments, their meaning often shifts due to time and context. Furthermore, the act of photographing monuments and buildings transforms them, sometimes revealing some of their original qualities and more closely evoking the responses that they were originally intended to have.

Grace of Intention: Photography, Architecture and the Monument examines the work of eight international artists, some of whose work addresses actual monuments, some whom look at architecture and its relationship to memory and how its importance and symbolism can shift over time, and others approach the idea of the future monument.