Πολ Πρεσιάδο: «H Μπέλλου έχει περισσότερο ενδιαφέρον από τον Άντι Γουόρχολ»
34 Ασκήσεις Ελευθερίας, Αναλυτικό Πρόγραμμα, 14-24 Σεπτεμβρίου 2016
Laboratory for Research in Art and the Public Sphere
department of architecture | university of patras
“Who do we exclude from our fictions?
Who do we include in our desires?”
— Tentative Collective
Architects appear increasingly to be getting interested in the politics of public space. The 36-hour Factory of Thought event at the Akademie der Kunste in Berlin is therefore inscribed in a larger movement towards social awareness as a key value in architecture practice. Regardless of its successes or failures, the 15th edition of the Venice Biennale Reporting from the Front, curated by Alejandro Arevena, provides the latest solid evidence of this move. Although such a shift both in the practices and questions encountered by architects can only be a positive shift, what is too often missing from the conversation is the crucial need to question the very nature of public space itself: not only the way it is made and used, but the broader societal vision that it represents and reinforces. A useful starting point, then, is to examine what we mean when we say ‘public’, before we move on to ‘space’, the material that as architects, urban planners and spatial practitioners, we may dissect more comfortably.
Date: 11 July 2016 to 17 July 2016
Venue: Screening Room and Utopia Treasury, South Wing, Somerset House, London
A programme of events that places women at the centre of discussions and debates about walking and art. Part of UTOPIA 2016: A Year of Imagination and Possibility – Four Seasons of events, exhibitions and new commissions celebrating the idea of utopia to mark the 500th anniversary of Thomas More’s influential text.
The invisibility of women in what appears as a canon of walking is conspicuous; where they are included, it is often as an ‘exception’ to an unstated norm, represented by a single chapter in a book or even a footnote.
– Heddon and Turner (2012) ‘Walking Women: Shifting the Tales and Scales of Mobility’ Contemporay Theatre Review, Vol. 22(2), 2012, p. 225
How do we re-write a canon? How do we re-balance the perception of art, artists, and the use of walking as a creative practice? Can we not only imagine a future in which gender bias and skewed vision is destroyed, but actively build the pathway there?
These events are a step on that path. Bringing together artists from across disciplines – theatre makers, writers, sculptors, film makers, poets, live artists and visual artists with academics, curators and cultural critics to discuss, present, create, record, broadcast and make public the work of WALKING WOMEN.
Panos Kouros
Performative archiving in Kosmos. Preliminary remarks.
Lecture at the Kolloquium at Humboldt-University
Institut für Musikwissenschaft und Medienwissenschaft
Fachgebiet Medienwissenschaft
11.5.16
At the junction of performative urbanism and art in the public sphere,sonic arts and archival media studies, /Kosmos/ project relies on a methodof real-time archiving of public space that I have termed ‘performative archiving action’. Works areundertaken in Kosmos, Berlin and Neos Kosmos, Athens, in the different contexts of urban regeneration pressures in these neighborhoods. Archiving is conceived as performance creating conditions for emerging public sphere(s); linking acting persons, dispersed publics, different localities through specific actions of documenting/ classifying/ re-using/ re-contextualizing data, and made public as a continuum across web interfaces and interhuman dispositions. The performative aspect relates to both human performing tasks and the internal generative operations of the archive.
19 May 2016, 7 pm (Prologue)
Noon 20 May – Midnight 21 May, 2016
Organised by the Goethe-Institut and the Akademie der Künste. An event held as part of DEMO:POLIS – The Right to Public Space.
Against this background, architect, theoretician and activist Eyal Weizman explores the anatomy of public space. South African curator Gabi Ngcobo describes the struggle for public space. Peter Cachola Schmal, Curator of the German Pavilion at this year’s International Architecture Exhibition in Venice, asks whether our arrival cities are the catalysts of social and cultural conflicts from mass migration in Europe. With international curators and artists, architect Eva Franch i Gilabert discusses how artists, designers, architects, curators and cultural institutions stage and construct real and symbolic forms of power and authority.
Under the pretext of public security, the ideas and concepts dealing with public space are increasingly informed by surveillance and control. The question of whether public space itself could then pose a threat is analysed by Anna Minton. Léopold Lambert focuses on public space as militarized environment in the aftermath of terrorist attacks. Kathrin Röggla considers the role of public space in post-democracy, while architect Doreen Heng Liu outlines the factors in any sustainable development of urban public space. Is public space a “third space” where strategies can be developed to counter an all-dominant and appropriating commercialisation? Are the struggles in public space only the harbingers of gentrification? – core questions addressed by architect Arno Brandlhuber in the closing panel.
This 36-hour Factory of Thought aims to develop a more concrete understanding of approaches to the complex expectations placed on public space. The Kooperative für Darstellungspolitik’s spatial design facilitates concentrated thought in parallel structures for kick-off speeches and think tanks, discussions, interviews and artistic interventions, and provides room for informal exchanges in open platforms.
The number of places in the “Denkräume” (Round Tables) is limited. Information about the registration here.
The Bakara market area of Somalia’s capital Mogadishu. Next year’s Venice Biennale seeks to document those ‘working in the margins, under tough circumstances, facing pressing challenges’. Photograph: Tony Karumba/AFP/Getty Images
Image credit: Jan Kempenaers, Spomenik #3 (Kosmaj), 2006