contemporary art

Allan Sekula 1951-2013

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The Forgotten Space follows container cargo aboard ships, barges, trains and trucks, listening to workers, engineers, planners, politicians, and those marginalized by the global transport system. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle. And in Bilbao, we discover the most sophisticated expression of the belief that the maritime economy, and the sea itself, is somehow obsolete.

MOMA: Performing Histories

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Performing Histories (1)

September 12, 2012–August 5, 2013

The Yoshiko and Akio Morita Media Gallery, second floor

 

Performing Histories (1) presents works that use time-based art forms to reflect on interpretations of history. The works, which have all recently entered the Museum’s collection, represent the diverse practices of the artists: Kader Attia (b. France, 1970), Andrea Fraser (b. USA, 1965), Ion Grigorescu (b. Romania, 1945), Sharon Hayes (b. USA, 1970), Dorit Margreiter (b. Austria, 1967), Deimantas Narkevičius (b. Lithuania, 1964), and Martha Rosler (b. USA, 1943).

The practices, exemplified in these works, of revisiting existing narratives and examining one’s own cultural, social, and personal history are not bound to any specific medium; they are part of critical artistic practice, in general. In recent decades, artists have increasingly chosen to employ performance in conjunction with cinematic mediums, such as film, slide projection, video, and photography, in orderto create multifaceted narratives and provide new readings of past events.

Exploring social and political conditions and reconsidering their own personal pasts, the participating artists in Performing Histories (1)have deconstructed histories, focusing on the ambiguity of history and the impact of ideologies on individual and collective consciousness. The installation guides the visitors through a space of diverse readings in which connections can be drawn across different perspectives on history. Examining history as both document and fiction, the exhibited works raise questions about how the past is constructed and how it can inform the present.

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