“Putting Public Space in its Place,” Harvard GSD Conference on Public Space

Putting Public Space in its Place

 

HarvardUniversity

A Harvard Conference on Public Space

March 7, 5–8pm & March 8, 2013, 8:30–6pm

 

Piper Auditorium

HarvardGraduateSchool Of Design

Cambridge, MA

Free & open to the public

In a digital age, people will reflect upon 2011 as the year in which physical public space reclaimed its lofty status in the public sphere. From Tahrir Square to ZuccottiPark, physical public space reminded us of its multiple ambitions and capabilities for accommodating consequential political activities as well as everyday leisurely pursuits. Put plainly, place still matters. This conference at HarvardUniversity will focus on physical (corporeal, material, tangible) public space. Physical public space comes in many flavors: publicly owned parks, streets, and sidewalks, privately owned public spaces, privately managed public parks, and temporary spaces that appear and disappear within a parking spot, under a bridge, in a surface parking lot, or anywhere else.

The production of public space simultaneously implicates and transcends technical decisions with regard to design, financing, and management considerations. Who should design public space? Should public spaces be designed at all? How should success of a public space be measured? Can the private sector participate in public space provision without a loss of “publicness”? Do achievements of democracy and equality depend on ample availability of public space? Can public space make a meaningful contribution to solving the world’s environmental problems, including storm water flooding? Are there universals of public space that define its use and appearance no matter where the space is located? Are temporary or informal public spaces a fad or breakthrough? Can theory inform, or better inform, practice? Public space scholars, practitioners, and activists will discuss and debate these and other questions along with an engaged audience. Attendance at the conference is free and open to the public.

Memories Can’t Wait

Memories Can’t Wait asks: How, in the face of the challenges Levi-Strauss mentions, can image-making sustain critical consciousness? How can personal memory and imagination in the absence of verifiable narratives create new meaning? Is there urgency in weaving personal accounts into political and historic narratives, if so how does it manifest? How can artists build an archive that honors the time-sensitive and ephemeral nature of their work? How can these methods inform the ways that history gets recorded?

disobedience archive

What matters in Disobedience is not so much an “alliance” between activist demands and artistic practices in order to achieve common goals, it is more that of a common space or a common base that is emerging. This space is not clearly defined, thus making it impossible to draw a precise line between forces and signs, between language and labor, between intellectual production and political action.

THIS UNCOMFORTABLE, TROUBLESOME, CONDITIONAL RELEVANCE OF ART IN PUBLIC SPACE

The symposium entitled “THIS UNCOMFORTABLE, TROUBLESOME, CONDITIONAL RELEVANCE OF ART IN PUBLIC SPACE | In Search for a Possible Paradigm” will be held in the industrial space of Fabryka Batycki in The Lower Town district of Gdansk, in a building situated just round the corner from Laznia Centre for Contemporary Art on 23-24 November 2012. This historical district is undergoing revitalisation process and it’s also the area where The Outdoor Gallery of The City of Gdansk project is realised by Laznia CCA.